The aesthetics of the integral poem in Enrique Verástegui and Juan Ramírez Ruiz

Biviana Hernández; Luis Fernando Chueca

The aesthetics of the integral poem in Enrique Verástegui and Juan Ramírez Ruiz

Biviana Hernández, Luis Fernando Chueca

Sección de Lingüística y Literatura

Universidad Academia de Humanismo Cristiano

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

1 Cita (Scopus)

Resumen

This article addresses the aesthetics of the integral poem from the postulates of neo-avantgarde project of Movimiento Hora Zero of Peru in the poetry books: Angelus Novus (1989; 1990) of Enrique Verástegui and Las armas molidas (1996) of Juan Ramirez Ruiz, the latter co-founder of the group in 1970. The purpose is to analyze, from a comparative point of view, the aesthetic dimension of the integral poem from the discursive proposals that both books offer in the framework of an intergeneric poetic of utopian and total carácter.

Idioma original	Español
Páginas (desde-hasta)	47-70
Número de páginas	24
Publicación	Estudios Filologicos
Volumen	59
Estado	Publicada - 1 ene. 2017

Citar esto

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AB - This article addresses the aesthetics of the integral poem from the postulates of neo-avantgarde project of Movimiento Hora Zero of Peru in the poetry books: Angelus Novus (1989; 1990) of Enrique Verástegui and Las armas molidas (1996) of Juan Ramirez Ruiz, the latter co-founder of the group in 1970. The purpose is to analyze, from a comparative point of view, the aesthetic dimension of the integral poem from the discursive proposals that both books offer in the framework of an intergeneric poetic of utopian and total carácter.

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