Filming horror in post-conflict Peru: Making and marketing La Casa Rosada

María Eugenia Ulfe

doi:10.1007/978-3-030-52512-5_6

Filming horror in post-conflict Peru: Making and marketing La Casa Rosada

María Eugenia Ulfe

Sección de Antropología

Producción científica: Capítulo del libro/informe/acta de congreso › Capítulo › revisión exhaustiva

2 Citas (Scopus)

Resumen

This chapter adopts an anthropological perspective to analyze the conditions, the modes of production, circulation, and exhibition of the film La casa rosada [The Pink House] (2017) by Ayacuchean director Palito Ortega Matute. The film recreates the impact of the armed conflict of 1980-2000 on the everyday lives of Ayacucheans at the time. Michael Herzfeld's concept of "cultural intimacy" is used to explore the film's highly artisanal and familial approach to filmmaking, which fostered a distinctive emotional connection with the local audience, triggered by their own memories of the ways that the city of Ayacucho experienced the conflict.

Idioma original	Inglés
Título de la publicación alojada	Peruvian Cinema of the Twenty-First Century
Subtítulo de la publicación alojada	Dynamic and Unstable Grounds
Editorial	Springer
Páginas	103-120
Número de páginas	18
ISBN (versión digital)	9783030525125
ISBN (versión impresa)	9783030525118
DOI	https://doi.org/10.1007/978-3-030-52512-5_6
Estado	Publicada - 17 dic. 2020

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Filming horror in post-conflict Peru: Making and marketing La Casa Rosada

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