EL ÁLBUM PERSONAL DE AURORA CÁCERES EN DATASETS: UNA APROXIMACIÓN TEÓRICO-CRÍTICA Y METODOLÓGICA PARA ANALIZAR LAS PRÁCTICAS SOCIOCULTURALES DE LAS INTELECTUALES LATINOAMERICANAS DE ENTRE SIGLOS DESDE LAS HUMANIDADES DIGITALES^1-2

We propose an approach to the personal album of Aurora Cáceres (1872-1958) from the digital humanities and information sciences. Through its conversion into datasets, we seek to make this complex and heterogeneous document computationally readable and to critically review it, pondering the networked contents that allow dialogues for new horizons of meaning, without ignoring the semantic and ideological value of the material supports. We hope to overcome the problem of reducing these devices to sources for the extraction of isolated data limited to intimate or depoliticized spheres. With the album, Cáceres, like other intellectuals of the inter-century period, evidenced her intervention in the public sphere and her strategies to construct a history and a memory in which she, as a subject and not as an object, plays a leading role. This work represents a methodological contribution to study this kind of sources, whose heterogeneity also implies their subordination or exclusion, given the challenges of reading, classifying and preserving them.