ARCHIVO, JUEGOS DE ESPEJOS, COMUNALIDAD Y POESÍA FUERA DE SÍ EN NACISTE PINTADA DE CARMEN BERENGUER: APUNTES PARA UNA RELECTURA

Luis Fernando Chueca

doi:10.7764/ANALESLITCHI.42.03

ARCHIVO, JUEGOS DE ESPEJOS, COMUNALIDAD Y POESÍA FUERA DE SÍ EN NACISTE PINTADA DE CARMEN BERENGUER: APUNTES PARA UNA RELECTURA

Luis Fernando Chueca

Sección de Lingüística y Literatura

Producción científica: Contribución a una revista › Artículo › revisión exhaustiva

Resumen

Twenty-five years after the publication of Naciste pintada by Carmen Berenguer, this article proposes to put into dialogue the most consolidated lines of interpretation about this book with some new approaches. These include the importance of the figure of the mirror games in its textual configuration, the questioning of established archives, the proposal for alternative archives, communality, and the commitment to the condition of poetry as a genre that is “outside of itself”.

Título traducido de la contribución	ARCHIVE, MIRROR GAMES, COMMUNALITY AND POETRY OUT OF ITSELF IN NACISTE PINTADA BY CARMEN BERENGUER: NOTES FOR A REREADING
Idioma original	Español
Páginas (desde-hasta)	29-47
Número de páginas	19
Publicación	Anales de Literatura Chilena
N.º	42
DOI	https://doi.org/10.7764/ANALESLITCHI.42.03
Estado	Publicada - dic. 2024

Palabras clave

archive
Carmen Berenguer
Chilean poetry
communality
mirror games

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10.7764/ANALESLITCHI.42.03

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ARCHIVO, JUEGOS DE ESPEJOS, COMUNALIDAD Y POESÍA FUERA DE SÍ EN NACISTE PINTADA DE CARMEN BERENGUER: APUNTES PARA UNA RELECTURA

Resumen

Palabras clave

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Huella

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