TY - JOUR
T1 - Percepciones de realizadores sobre la producción audiovisual con smartphones en Argentina, Colombia, México y Perú
AU - García Anhuaman, Félix Enrique
AU - Vite León, Víctor Omar
AU - Cardona Del Real, Luis Felipe
AU - Poggi Parodi, Christiana
N1 - Publisher Copyright:
© 2025, HISIN (History of Information Systems). All rights reserved.
PY - 2025/1/31
Y1 - 2025/1/31
N2 - Introduction: Smartphones have become key tools in independent audiovisual production in Latin America due to their accessibility, portability, and technical flexibility. In contexts with limited budgets, these devices have democratized audiovisual creation, enabling narrative and technical innovations. This study analyzes the perceptions of short film directors in Argentina, Colombia, Mexico, and Peru. Methodology: Using a qualitative approach, 18 directors with experience in using smartphones were selected, with their productions featured in specialized festivals such as Mobile Film Latam and Ojo Móvil Fest. Semi-structured interviews explored their practices, reflections, and challenges. Results: Participants highlighted advantages such as portability, low cost, and technical flexibility, as well as their impact on innovative narratives and spontaneous visual captures. However, they pointed out technical limitations, such as editing and post-production challenges, and mentioned that certain industry sectors still perceive productions made with smartphones as amateur and lacking professionalism. Discussion and conclusions: The study shows that smartphones are transforming independent audiovisual production in Latin America. It proposes integrating these technologies into formal higher education in audiovisual communication and emphasizes the role of specialized festivals in legitimizing their use in the professional industry.
AB - Introduction: Smartphones have become key tools in independent audiovisual production in Latin America due to their accessibility, portability, and technical flexibility. In contexts with limited budgets, these devices have democratized audiovisual creation, enabling narrative and technical innovations. This study analyzes the perceptions of short film directors in Argentina, Colombia, Mexico, and Peru. Methodology: Using a qualitative approach, 18 directors with experience in using smartphones were selected, with their productions featured in specialized festivals such as Mobile Film Latam and Ojo Móvil Fest. Semi-structured interviews explored their practices, reflections, and challenges. Results: Participants highlighted advantages such as portability, low cost, and technical flexibility, as well as their impact on innovative narratives and spontaneous visual captures. However, they pointed out technical limitations, such as editing and post-production challenges, and mentioned that certain industry sectors still perceive productions made with smartphones as amateur and lacking professionalism. Discussion and conclusions: The study shows that smartphones are transforming independent audiovisual production in Latin America. It proposes integrating these technologies into formal higher education in audiovisual communication and emphasizes the role of specialized festivals in legitimizing their use in the professional industry.
KW - Audiovisual narratives
KW - Independent audiovisual production
KW - Latin America
KW - Mobile film festivals
KW - Self-taught mobile filmmaking
KW - Smartphone filmmaking
KW - Smartphones
UR - https://www.scopus.com/pages/publications/105005120669
U2 - 10.4185/rlcs-2025-2432
DO - 10.4185/rlcs-2025-2432
M3 - Artículo
AN - SCOPUS:105005120669
SN - 1138-5820
VL - 2025
JO - Revista Latina de Comunicacion Social
JF - Revista Latina de Comunicacion Social
IS - 83
ER -