Abstract
This article analyses the travel narratives of Maipina de la Barra (1878), Eduarda Mansilla (1882) and Clorinda Matto de Turner (1902), considering the concept of escape as a problematic Gordian knot which leaves evident gender marks and inflections in the writing. It proposes that the subject of the wound, provoked in De la Barra by impoverishment and neglect; in Matto by the violence of work denied, destroyed property, and the censored voice; and in Mansilla by the compulsory choice between family and vocation, is developed in these narratives through diverse strategies which include its over-investment, historization and silencing.
| Original language | Spanish |
|---|---|
| Pages (from-to) | 29-54 |
| Number of pages | 26 |
| Journal | Revista Chilena de Literatura |
| State | Published - 1 Nov 2017 |
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