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    Hiperlexia y cultura legal colonial: caciques, y litigación en los Andes, 1550-1640
    (2020-01-01)
    One of the marked features of colonial society was its normative profusion. An enormous sea of cedulas and ordinances was a facet that early prompted many authors to dedicate themselves to studying, classifying and organizing this complex body of regulations. This effort was many times promoted and sponsored by the colonial authorities, especially by the viceroys, both in New Spain and in the Andes, or in the viceroyalty of Peru. Naturally in the Council of the Indies the jurists were in charge of carrying out large compilations. In the viceroyalty of Peru, in the seventeenth century, there are great publications and compilations, the Curia Philipica published for the first time in Lima in 1603 by the Asturian Juan de Ebbia Bolanos, with a second part of the brilliant procedural document “ the labyrinth of land trade ”, likewise, great compilers of rules of local and metropolitan origin were the legal advisers of the Viceroys such as Gaspar de Escalona y Aguero, Diego de Leon Pinelo and Tomas de Ballesteros, the latter less known, although very important for the compilation of the Ordinances of Peru (1695), which was even re-published, without significant changes, in the 18th century. The use of the norms as invocation privileges was central to the litigants’ strategy. Together with this legal production, Andean colonial society was the scene - according to the testimonies of its protagonists - of a visible litigation, that is to say, of a extended use of the judicial system; thus, the hearings, the corregimientos, and the town councils were overwhelmed attending to pleytos. In sum, litigation was a characteristic of many sectors of the colonial population, the result of a legal society in which rights had to be settled in the judicial courts with the presence of legal professionals.
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    La utopía andina
    (Instituto de Pastoral Andina, 2020-10-09)
    When the European invasion of the Andean area took place in the 16th century, these territories were not an empty space nor were they an area of ​​tribal culture; on the contrary, the Europeans arrived in an area where culture had reached a high level of development with the particularity that these processes took place independently of what was happening in Europe. The historical background of the Inca Empire (just the last expression of a long historical evolution), did not go unnoticed by the conquerors. Since then, the discussion arose about how to name these men who, without being barbarians, were not Europeans either. But along with this issue, decades after the capture of Cajamarca, another question would arise: what capacity for persistence did the civilization of the vanquished have? For some, Christianization had even been too fast, but others argued that under the Christian clothing, in reality, pre-Hispanic beliefs lay beneath. Themes of the chroniclers, visitors and eradicators of colonial idolatry; subject also of contemporary anthropologists and sociologists.
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    The quality of society
    (Springer International Publishing, 2021-09-16)
    This book articulates a unified theory of capitalism as an attempt to provide a comprehensive scientific theory of this social system. A unified theory of capitalism is not the combination of the predominant economic theories-neoclassical, classical, and Keynesian-so as to make them compatible. It is not a composite economic theory. It is a new economic theory. Predictions of the theory's models were consistent with eight basic empirical regularities of capitalism dealing with economic growth, income inequality, employment level, and environment degradation. Therefore, the unified theory can be accepted as a good approximation of the real capitalist world. But the models were constructed at a high level of abstraction. Also problematic was the need to work out more fully the public policy implications of the theory. It is, therefore, no wonder that essays on the unified theory to answer these questions are a natural outcome of a new scientific endeavor attempting to reach a unity of knowledge in economics.
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    The representation of the flag in the Peruvian narrative: From the nationalist discourse to subaltern’s testimony
    (Asociación Peruana de Retórica, 2022-02-15)
    This article analyzes the representation of the national flag in two specific episodes of the Peruvian narrative in order to expose how it can be used as a means that, on the one hand, enervates national sentiment and, on the other, denounces the injustices against the Ande communities. In the first place, in the story “El hombre de la bandera”, by the writer Enrique López Albújar, the flag is manifested as the symbol that breeds a foundational nationalist discourse. It inspires in the inhabitants of the Andes an intimate identification with Peru and defense of the territory with their own lives, despite the unquestionable injustices they have suffered historically. Second, in the novel Redoble por Rancas, by Manuel Scorza, the flag highlights the contradictions and fissures in the ideological base that sustains the nation project. The national banner fosters solidarity between the inhabitants of Rancas and the army, on the contrary, it accentuates the socio-cultural fragmentation of the country and offers a discourse of minorities. To do this, the concept of «imagined community» coined by Benedict Anderson and the theoretical contributions of decolonial criticism, by Aníbal Quijano, and postcolonial criticism, by Homi Bhabha and Partha Chatterjee, will be used.
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    Parker VanValkenburgh. 2021. Alluvium and empire: the archaeology of colonial resettlement and Indigenous persistence on Peru's north coast. Tucson: The University of Arizona Press; 978-0-8165-3263-6 hardback $65.
    (Cambridge University Press, 2022-04-22)
    Parker VanValkenburgh. 2021. Alluvium and empire: the archaeology of colonial resettlement and Indigenous persistence on Peru's north coast. Tucson: The University of Arizona Press; 978-0-8165-3263-6 hardback $65. - Volume 96 Issue 387
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    From the love of freedom to the cult of force: Continuities and discontinuities between liberalism and fascism
    (Universidad Nacional Mayor de San Marcos. Facultad de Letras y Ciencias Humanas, 2024-01-01)
    In the following essay, we will seek to explore the ties of kinship between liberalism and fascism, both in their ideas and in their concrete political practice, with the intention of, through the contrast, shedding some light on the category of fascism. In the first part, we will consider the category of totalitarianism, so wide-spread in the political imagination that seeks to understand fascism (often pairing it with communism), and why we find it of little use to think about this political phenomenon; in the second, we will take a tour through the ideas and concrete practice of liberalism, relying largely on the historical genealogy prepared by the Marxist philosopher and historian Domenico Lo-surdo, exploring its links with modern colonialism and the form of Eurocentric hegemony that Aníbal Quijano calls coloniality; finally, in the third part, we will return to the category of fascism, to review its characteristics, and verify to what extent the history and practice of the liberal tradition allows us to clarify it, making vis-ible the continuities and discontinuities between the two. Our work seeks to contribute to a conceptual-ization of fascism that is useful for understanding the current political landscape, highlighting the relevance and centrality of this category for contemporary political reflection.
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    "This democracy is no longer democracy": Protest Art and the aesthetics of subversion in times of political repression in Peru “ESTA DEMOCRACIA YA NO ES DEMOCRACIA”: ARTE DE PROTESTA Y ESTÉTICA DE LA SUBVERSIÓN EN TIEMPOS DE REPRESIÓN POLÍTICA EN PERÚ¹
    (Universitat de Valencia, Faculty of Philology, Translation and Communication, 2026-07-20)
    This study examines the transformative role of art in contexts of violence and state repression in Peru, much like what occurs in other Latin American countries. With a critical approach, it investigates how artistic practices subvert official narratives and articulate discourses of resistance that denounce historical inequalities and tensions inherited from processes of colonialism and exclusion. The study focuses on three cultural manifestations: the protest song "Esta democracia ya no es democracia," which emerged during the mobilizations against the government of Dina Boluarte in 2022 and 2023; the sculpture *La descarada* by César Aguilar, which, through visual symbolism, critiques state power and its hierarchical structures; and the *blanquinegra* flag, a modification of the national emblem that resignifies mourning and protest in the face of repression. By integrating methodologies such as Critical Discourse Analysis, iconographic analysis, and Multimodal Critical Discourse Analysis, the study unravels the mechanisms that allow these symbols to transform pain and inequality into tools of denunciation and empowerment. The findings reveal that art, by articulating new social imaginaries, generates spaces of resistance and fosters processes of political and social change in the region.
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