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Item type:Publication, Ecoficciones y procesos artísticos: la producción de obras artísticas y la relación simbólica con el territorio habitado y construido(Pontificia Universidad Católica del Perú, 2024-05-06)This article intends to explain the different possibilities of representation of what we will call “fictional ecosystems”, being imaginary ecosystems that are developed through visual representation, highlighting their importance to establish, develop and maintain a connection with the inhabited territory, as fundamental relationship to build a society that questions the subjectivities established in the coexistence with the natural, humanized and collective environment. Thus, an explanatory line is developed, which answers the following question, can elements of visual representation be used for the creation of “fictional ecosystems” that help to question the relationship that we build with our natural and humanized ecosystems in the contemporary environment and its corresponding problems? The answer is built through a methodology created using two phases of analysis. An explanatory line is drawn through artistic proposals made in Peru, developed on different supports and using various means, such as painting, drawing, installation and video art. The first phase called “Ritualized Territory and Creation” deals with the relationship between own experiences in the territory of the artists and their creative processes; the second phase “Territory and Cultural Imaginaries”, highlights the intrinsic link between the experiences established in the previous phase and the construction of imaginaries that enable to question our cultural and ethical environment. It is attempted to highlight the importance and the fundamental role of the abovementioned representations as a bridge for a better understanding of the framework of subjectivities that triggers the relationship between natural and humanized ecosystems. This methodology will be explained through the development of four projects: “Abglutia”. “Peligro de Extinción”, “Natural Sense Making” and finally, “Pestes”. Through the analysis of these projects, it is recognized that the visual representations of these fictional ecosystems are useful and necessary to develop a critical view that promotes introspection and questioning about the relationship with our natural environment and the ecosystems that have influence on it, enabling to establish in our collective relationships the development of a symbolic relationship with the territory that we inhabit and build. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Espaciamiento intercultural: la construcción del territorio simbólico y sus cartografías ético-estéticas como memoria visual de los procesos de pertenencia en Lima Metropolitana(Pontificia Universidad Católica del Perú. Instituto de Ciencias de la Naturaleza, Territorio y Energías Renovables (INTE-PUCP), 2020-09-08)It is attempted to show the possibilities of symbolic representation under an interdisciplinary approach, from Art and Architecture applied to the peripheral problems of the environment and to their reconstruction from the territory, evidencing a symbolic heritage based on the production of cartographies that show ethical-aesthetic values as a possibility of representation of the visual memory contained in the belonging processes occurring in the city of Metropolitan Lima.How could we view these reconstruction processes made by our memory around the spaces where we live and participate or how could migration paths be evidenced from that perspective? A methodology is proposed based on three phases of recognition of a personal route of rearrangement of individual history which starts from topographic knowledge of the territory in the reconstruction of personal experiences, to develop then cartographic sketches for the viewing of their implication in the reading of migration processes, as well as collective problems.This methodology will be explained through the development of three specific projects. Individual visual and installation artworks «De Reducto n. 2 a la Portada de Maravillas: Hacia el Descanso», «La Ruta de 50 Años» and Group Project «CO(HABITAR)».It can be recognized that the viewing of migration processes, from their symbolic aspects, represent diverse variants of recognition of the events experienced in the territory implying various layers of a reading that before being illustrative could be viewed through the processes of artistic expression, depending on the different origins of their participants and their experiences in the city. Those processes reconstruct the time lived as a cartographic set that can be viewed. - Some of the metrics are blocked by yourconsent settings
Item type:Publication, The Woman Who Knew How to Govern Bolivar's Ungovernable Country. A Saint-Simonian Reading of Francisca Zubiaga in Peregrinations of a Pariah(Pontificia Universidad Católica del Perú, 2025-01-01)Este trabajo examina el retrato que elaboró Flora Tristán de una mujer caudilla que a inicios de la República peruana alcanzó notoriedad por su ejercicio abierto de poder político. Sostiene que los discursos feministas que eclosionaron en las revoluciones de 1789, 1830 y 1848 en Francia, en particular el sansimonismo, y el debate de género patriótico en el Perú constituyen los hilos más visibles del complejo entramado narrativo de su libro de viajes. Al entrar el sujeto literario en contacto con un escenario peruano poblado de personajes femeninos históricos ajenos a los imaginarios franceses, su lugar de enunciación se desestabiliza y potencia su fuerza visionaria. En el proceso de construir a Zubiaga como figura pública, Tristán descubre un espacio narrativo de negociación identitaria frente a mandatos de género en relación de intenso antagonismo, lo que le permitirá su reinvención como líder de una nueva política emancipatoria de clase y género.5 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Sociolinguistic Perception and Evaluation in 19th-Century Texts from Peru(Pontificia Universidad Católica del Perú, 2025-01-01)Desde una perspectiva sociocognitiva, se intenta explicar la percepción y la valoración de los fenómenos lingüísticos de este periodo, comparativamente con el vigente. Las observaciones se circunscriben al análisis de textos periodísticos, algunos reunidos en el Museo de Limeñadas, de Ramón Rojas y Cañas (1853), y en el volumen costumbrista Lima, de Manuel Atanasio Fuentes (París, 1867). Nuestro propósito reside en ofrecer una visión sociolingüística diacrónica de la diversidad en el espacio peruano varias décadas después de la independencia del dominio español en América.1 - Some of the metrics are blocked by yourconsent settings
Item type:Publication, Meaning and scope of Treaty V (V 9) of Plotinus: a manual (Greek Text) of (neo-)platonic doctrine?(Pontificia Universidad Católica del Perú, 2025-01-01)Si es cierto que el pensamiento de Plotino ha sido caracterizado por los especialistas como “el canto del cisne de la filosofía griega” (López Eire 1973: 77) o bien como la “gloria de la filosofía antigua” (Moreau 1970), ello se debe en gran medida a la síntesis exegética que el filósofo supo acometer con respecto a las doctrinas platónicas y peripatéticas, heredadas de la tradición helénica. Ahora bien, el Tratado V (V 9) del conjunto eneádico, según el orden cronológico trazado por Porfirio, parece anticipar el alarde de erudición que el maestro neoplatónico desarrollará con posterioridad en otros trabajos de largo aliento, pertenecientes con mayor pertinencia a la fase docente de Plotino, que Porfirio ubica en el período medio y de madurez. Así las cosas, el presente estudio pretende dilucidar mediante un análisis descriptivo y crítico los encuadres filosóficos que son tematizados en el Tratado escogido para esta ocasión.3