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    Sobre el conocimiento de la cosa en sí según Schopenhauer
    (Universidade Federal de Santa Maria, 2020-04-15)
    This paper proposes to analyze Schopenhauer’s methodological and hermeneutical considerations regarding the knowledge of the thing-in-itself. For this purpose, I explain the nature of the philosophical abstraction in light of the primacy of the metaphysics of the Will. I argue that the possibility of the philosophical research is rooted on the interpretation of self-knowledge as an instance of the Will’s objectivation. In this regard, I will plead that the definition and criteria developed by Schopenhauer for his philosophy are established at the expense of deductive demonstration, in favor of a peculiar and particular form of abstraction fitted for the philosophical enterprise and subject matter. Finally, I will present an interpretation of the epistemological basis of reflection in line with schopenhauerian philosophy.
      2
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    A poet of lost causes
    (2023-11-02)
    This chapter studies Vallejo’s last poems in which he set out to celebrate a group of subjects who defended the “communist idea” to the last consequences. In fact, the subject of Vallejo’s poetry ends up being, above all, a subject of the will. Although his verses always set out to represent the fragile condition of subjectivity, and although they never shy away from recognizing how the subject cowers before the event, his poetry also confirms that there are latent political possibilities in humanity, forces that invite us to overcome the limits of our social determinations.
      6
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    A poet who announces the event
    (Palgrave Macmillan, Cham., 2023-11-02)
    The chapter argues that Vallejo is a poet of the event, that is, a poet who strives to give an account of an experience of truth that has interrupted the world and can begin to transform it. For Badiou, an event is something, fundamentally new, that emerges from that which was not counted in the established frameworks; something that emerges from the holes of the social to break the inertia of daily reality. What is central to the event is the moment in which an individual decides to become the subject of the event in order to begin to communicate a new universal truth. Vallejo’s last poetry strove to call militantly towards the unquestionable truth of the “communist idea.”
      2