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¿Dónde está el cordero? Cinco poemas de Adriane Garcia
(Latin American Literary Review Press, 2020-06-16)
The five poems translated here are part of A bandeja de Salomé [Salome’s tray], Brazilian poet Adriane Garcia’s unpublished book. These poems let know some of its most important characteristics: irony, subtlety and intertextuality when the author rewrites different stories of the Holy Bible. For example, as the reader will notice, Garcia’s critical vision emphasizes on public roles of women in those stories. Therefore, publishing these poems in bilingual, Garcia’s work increases the scene of Brazilian poetry and literature in United States.
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Vallejo and Political Art Beyond Death (Conclusions)
(2023-11-02)
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A Poet of the Language Crisis
(2023-11-02)
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A Poet of the Ethics of the Real
(2023-11-02)
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A poet who announces the event
(Palgrave Macmillan, Cham., 2023-11-02)
The chapter argues that Vallejo is a poet of the event, that is, a poet who strives to give an account of an experience of truth that has interrupted the world and can begin to transform it. For Badiou, an event is something, fundamentally new, that emerges from that which was not counted in the established frameworks; something that emerges from the holes of the social to break the inertia of daily reality. What is central to the event is the moment in which an individual decides to become the subject of the event in order to begin to communicate a new universal truth. Vallejo’s last poetry strove to call militantly towards the unquestionable truth of the “communist idea.”
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A poet of lost causes
(2023-11-02)
This chapter studies Vallejo’s last poems in which he set out to celebrate a group of subjects who defended the “communist idea” to the last consequences. In fact, the subject of Vallejo’s poetry ends up being, above all, a subject of the will. Although his verses always set out to represent the fragile condition of subjectivity, and although they never shy away from recognizing how the subject cowers before the event, his poetry also confirms that there are latent political possibilities in humanity, forces that invite us to overcome the limits of our social determinations.
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A poet of the “Part With No Part”
(Palgrave Macmillan, Cham, 2023-11-02)
Vallejo’s poetry always felt committed to the option of politicizing human pain, that is, naming its causes and representing the effects that pain (suffering, exploitation, evil) causes in those who have been placed as the remnants of the social system. This chapter explores a poetics in which the representation of marginality becomes increasingly prominent. In Vallejo’s poetry, art names the excluded rest in order to try to produce a social change. Due to his religious formation and his Marxist readings, Vallejo began to think (and feel) that the world could be reconstituted from the place of the excluded.
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