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Campanadas de modernidad. Tipologías de iglesias católicas en Huánuco, 1940-1980
(Pontificia Universidad Católica del Perú. Facultad de Arquitectura y Urbanismo, 2025-04)
El presente estudio plantea una revisión tipológica de las iglesias construidas en Huánuco a mediados del siglo XX a partir de tres casos representativos de las décadas de 1950, 1960 y 1970 respectivamente. La finalidad de este análisis es comprender la relación de los procesos de modernización de la Iglesia católica —como institución— y de la ciudad de Huánuco —como estructura urbana— con las tipologías empleadas en el diseño y construcción de las iglesias de San Pedro, San Sebastián y la Catedral. Para ello, se analiza cada uno de estos edificios a partir de enfoques históricos, urbanos y espaciales
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SHREC 2021: retrieval of cultural heritage objects
(Elsevier, 2021-11-01)
This paper presents the methods and results of the SHREC’21 track on a dataset of cultural heritage (CH) objects. We present a dataset of 938 scanned models that have varied geometry and artistic styles. For the competition, we propose two challenges: the retrieval-by-shape challenge and the retrieval-by-culture challenge. The former aims at evaluating the ability of retrieval methods to discriminate cultural heritage objects by overall shape. The latter focuses on assessing the effectiveness of retrieving objects from the same culture. Both challenges constitute a suitable scenario to evaluate modern shape retrieval methods in a CH domain. Ten groups participated in the challenges: thirty runs were submitted for the retrieval-by-shape task, and twenty-six runs were submitted for the retrieval-by-culture task. The results show a predominance of learning methods on image-based multi-view representations to characterize 3D objects. Nevertheless, the problem presented in our challenges is far from being solved. We also identify the potential paths for further improvements and give insights into the future directions of research.
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Shared soundscapes: Everyday archiving and the collaborative (re)activation of anthropological collections
(Taylor and Francis, 2024-01-01)
This contribution argues that “everyday archiving” is quintessential for the current collaborative (re)activation of historical sound recordings and images of oratory, music, and dance created by the local communities in two Peruvian regions. Local practices of archiving these cultural expressions are integral to processes of identity formation that concern communities of the Northern Coast who assert a Muchik, or Quechua descent, and peoples of the Central Rainforest who identify as Asháninka or Nomatsigenga. Our analytical point of departure is historical materials that have been housed in a university archive (Instituto de Etnomusicología) and an individual archive (Manfred Schäfer). Relying on our key concept of shared soundscapes, we have recognised how, on the Northern Coast, cultural repertoires fall under the logic of heritage management, giving rise to the emergence of “entrepreneurial curators”; in the Central Rainforest soundscapes are refashioned by “grassroots researchers” and “sonic activists” who reactivate cultural traditions to secure their rights to territory. As anthropologists, we chose collaborative pathways that best suited the diverse regional approaches to everyday archiving.
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Consultando las declaratorias de Patrimonio Cultural de la Nación a los pueblos indígenas
(2025-12-30)
Este artículo examina la implementación del derecho a la consulta previa en las medidas relacionadas con el patrimonio cultural, revisando el marco normativo peruano en dicho ámbito para contrastarlo con los estándares del derecho internacional, con el fin de proponer mejoras que fortalezcan la garantía de los derechos colectivos de los pueblos indígenas u originarios y contribuyan a una gestión social sostenible del Patrimonio Cultural de la Nación.
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